My parents taught me at an early age to value the work of artists. My father tended towards carved wood or figures while my mother was more eclectic. When I traveled with them, I learned that we could bring art back easily since paintings could be rolled or laid flat in our bags. Since I seem to have never been able to develop any ability to create anything with paint, I also learned to appreciate those who could.
Throughout my adult life, I have met many artists through various projects who became friends. Nobody has had an impact on me like my friend, Nylajo Harvey, who recently passed away at the age of 95. When I was a young mother with three daughters, I became aware of her work and wanted to own a painting. I decided I might as well have her paint my daughters since it cost about the same as buying another piece. This was a giant splurge for me, but I knew it would be worth it.
When I met Nylajo in 1975, I was 29 and she was 48. I was happily married with daughters aged 6, 4 and 2. She had been married and divorced three times and had two daughters with one of her husbands and two sons and a daughter with another. Her younger daughter and son were in elementary school. At the time, she had a glassed room at the front of her house that was her studio. The house was over 100 years old and was located across from a popular park near my home. I herded my little ones in to pose for the first time and was amazed that she could set them up and capture their personalities in a short time. After that, I would bring them one at a time. I don’t remember having many sittings with all of them – thank goodness.
I found myself stopping by to see her when I would take the girls to school or had a sitter. Of course, I was checking on the painting, but we were becoming closer friends all the time. We would talk while she painted, even with other people stopping by to see her and visit also. She was smart and interesting and we were just instant friends. She must have had us over for dinner, because she and my husband became friends also. For Mother’s Day that year, he brought home a little painting he knew I loved at her house.

Having seen her art before I met her, I was aware that she had earlier periods where most of her work was in pastels, then in blues. When I met her, we shared a love of bright colors, which she incorporated into the portrait of the girls.

She had instantly caught my middle daughter’s impatience with this whole process, my youngest daughter’s sweet baby self and my oldest daughter’s oldest child taking it seriously attitude. It was a delight. Just before she was finished, we learned that I was pregnant again. She laughed at my husband showing up to tell her to stop the painting until we knew what to do. Our solution was to wait for the baby to be born, guessing it to be another girl, and then paint the infant into my oldest daughter’s lap. There wasn’t a way to tell very much about a baby until it was born in 1975, so we waited until November.
Amazingly, our fourth child was a boy and Nylajo said she would wait and paint him when he was older, little knowing what a trip that would be. She often told me that she liked me and my children, telling stories of hiding in the closet when some other families showed up. We all liked her, too.
By the time my son was three, he had already locked into wearing a cowboy hat every day, one that looked like the hat Hoss Cartwright wore on the “Bonanza” tv show at the time. I had bought it at Neiman Marcus because it was so cute, little knowing that it would become a worn out, dirty family icon. Nylajo wanted to paint him in the hat and asked that we bring his Wonder Horse to the studio to paint him on. Those sessions had to be among her craziest sittings as he would rock the horse wildly, sometimes sitting backwards. He was not the ideal kid to sit still for a portrait. But, she succeeded beyond our wildest dreams and captured my little one’s personality perfectly.

At some point, I had taken a couple of photography classes at Philbrook Museum and showed Jo some pictures I took of my kids. She did paintings from two of them, one of my son (again in the cowboy hat) and one of my youngest daughter. She gave those to me and I later gave them to those two.
My mother was about 10 years older than Jo and they also became close friends. When my mother found out that Jo owed about $5,000 on her house, she paid it off so that she would own the house outright. Money was always tight for our artist friend and my mother said that the only reason her widowed mother and my mother and her two brothers had any dignity during the Depression was because they owned their home and would be able to stay there even when they couldn’t pay the gas bill. I doubt my mother wanted to be repaid, but Jo gave her several large paintings in thanks. She would also give her little gifts, such as this small piece painting on a lid or something she found.

I think Jo was the one who first told me that it was a good exercise for an artist to paint large and small. I have this small painting, probably 2″x3″, that I love for the tiny details that let me know what is happening in this moment.

I have many of her paintings. I loved her images of children and have a couple of children’s parades. I also loved her portraits of women, flowers, so many. She had many themes.

Through the years, I was busy with children and volunteer activities and work, but managed to see Jo when I could, always trying to stop by her birthday parties in July or her annual show in December. She knew everyone in town, from artists to her wealthier patrons, and knew what was going on with everyone. It was always a lively party where I met interesting people through the years. Her dinner parties were special as she put together congenial, interesting groups, to enjoy her home cooked meals at beautifully set tables. She told me she also considered cooking an art as she made pots of soup to freeze, often sending some to my mother in her later years.
Nylajo was one of the most unique women I was ever fortunate to know. When my grandson needed to interview someone who had been alive before World War II for a high school project, I took him to meet her. She was 90 at the time. Listening to her answer his questions, I learned even more than I had known about her before.
Nylajo was born in 1926 to a banker father and a mother who was a teacher. She had one brother and three sisters and were a close family. Contrary to popular belief, she was not Native American. I recently looked up something to write this piece and found one of her paintings for sale online, and it was described as by this known Native American artist, which made me laugh. I always loved her name, but it is not Native American.
Jo always wanted to be an artist. As a child, she was told that she could draw better than she could write, and she took that to heart. She attended high school in Springfield, MO, and grew up loving sports, being a runner, a softball player and even playing football until her mother found out. She loved trout fishing with her father. Her first job was tinting photographs in a department store.
She won an engineering scholarship to Purdue, so she went there first. The men were all away at the war and women were being recruited. She learned that wasn’t for her, so she got a scholarship to the Kansas City Art Institute and studied to be an artist. During that time, she dated the son of Thomas Hart Benton and told me of meeting him in his home.
Another story she told me was of working for an architect and meeting Frank Lloyd Wright. I later purchased a painting she did entitled, “The Night I Met Mr. Wright.” Jo was known for her thick red hair which she wore in a long braid down her back for many years. In this painting, she was young, with her red hair flowing. She described him to my grandson as being really short and wearing a black cape, really interesting.

She got married for the first time in 1948 and became a mother that year at age 22. She never had much to say about any of her husbands to me as they were all long gone when I met her. She was so independent that I can’t even imagine her with anyone.
Talking to my grandson, she told him that she learned the basics from her teacher mother: honesty, kindness and truthfulness. She also fully learned the English language. She was reading a book a day well into her 90s and spoke to me about the books she was reading the week before she died. She could talk about anything with anyone. She got her first tv when she was 62 years old.
She told us that her most important decades were the 1940s-1960s when she was raising her children and found who she was. She was a strong, loving mother. She loved to be with people and often spent time in a neighborhood bar, where one of her paintings was displayed, probably given to pay her bar bill. She was a drinker and the first person I know who was 86ed from a place, the neighborhood bar, of course. Her parties were lively and she had her drinking buddies. She partied with Leon Russell and probably other artists of the area. I don’t think she considered herself one of the boys – she didn’t need to. She was very much herself always. I don’t remember her swearing or being obnoxious, although I’m sure she could. She was extremely well mannered and a tribute to the values her parents taught her. She was honest and outspoken and funny and smart.
She never felt like she was discriminated against as a woman, probably because of her self confidence, and she didn’t discriminate against anyone. She did not suffer fools and alienated many people through the years, although many worked their way back to her. She did not change who she was – ever. She could be difficult, probably with the drinking, but she had a large group of devoted friends who showed up to help her set up her shows (she was always painting until the last minute) or to take her to the store after she quit driving or to be there for her. I was not her best friend, just a long time friend, one of so many.
Jo adored her children, speaking of each of them as if they were the most interesting people she knew. They were some of her favorite subjects in paintings through the years. She enjoyed them and was able to travel with her youngest late in life. I have no idea what kind of a mother they think she was, but they loved her.
She enjoyed her children as adults. Maybe too much. After two of her daughters had died of alcoholism, she quit drinking. Having lost a child, I understand what a blow losing them was to her.

Since I didn’t see her all the time, I never knew what had been going on in her life when I stopped by. One time she was recovering from cancer, having refused the treatment. She lived at least another 20 years. Another time, she had fallen off a ladder while doing something on her roof (two story house) and had many broken bones. Her invitations to her annual show were often photos of her doing something fun and adventurous, such as riding a motorcycle. Here she is on a boat named after her.

Through the years, her lush red hair turned gray and her braid got thinner. Here she is visiting after my mother died.

Jo was a tiny woman with a big voice and terrific laugh. She was a fabulous hostess and I loved being in her kitchen, shown here a few years ago. I’m only about 5’4″ these days, so she was tinier than her oversized personality indicated.

When I took my grandson to meet her, I was struck with how great a listener she was – not just because she couldn’t hear as well at 90, but because she always had been.

From our earliest years as friends, I had always known she would be there, always curious and always compassionate. She was my confidante through the years, listening to all the ups and downs my own life took, never being judgmental, just being there. She could comfort you by being so wise and so loving, just as my mother was. They truly were kindred souls. When I lost my husband and, later, my son, she grieved with me.
A couple of years ago, I stopped by to see her and found her uncharacteristically sad. Her brother had died unexpectedly. They had spoken every week for an hour or more and he had just been chopping wood when she last heard from him. He was in his 90s and still going strong until he was gone. She suddenly felt a huge void. For the first time, she didn’t feel like painting.
When the wonderful new park, Gathering Place, opened in Tulsa, I persuaded her to visit it with me. I drove her up to the door since she couldn’t walk as far anymore. I took her outside to see the wonderful seating areas.

I wanted her to see the beautiful architecture and designs in the Lodge, so we went inside where I caught this image of her against the wall. She was having so much fun and delighting in this new place.

I drove her around to the Boathouse and took her inside the fascinating exhibit room there. She was her usual self, taking it all in and happy to be there. We didn’t stay long as I didn’t want to wear her out.
A few weeks later, she told me she was doing a retrospective show. They called it “Nylajo’s Last Picture Show.” She had been buying up her old paintings from estate sales, so had many to re-sell along with new ones. I was shocked at first and then realized that she was outliving her old patrons. When I stopped by, she was in her usual place at her easel. I took several pictures (why had I not taken more through the years?) and one was used on the invitation to the show. I just wanted to always remember her as she was when I had first met her – painting.


The show was great fun with many local artists coming to see her. She had influenced so many through the years, more than I will ever know. My son’s daughter was about 10 and threw her arms around her, to Jo’s delight. Her eyes twinkled as she remembered my son with me.
When the pandemic hit right after this show, she was locked at home with her books and cooking. I sent her a card, a cutout of Picasso. She called me, delighted, and said she had him standing where she could see him all the time. She never failed to tell me that from then on. As time went on, I stopped by when it was safe and found her as sharp as ever, interested in me and life around her.
I went by right before Christmas to leave her some bourbon pralines and could see her curled up, sound asleep on her couch. I didn’t want to disturb her, so I left the treats. She called me later to tell me they were her favorites and to say she had not been able to sleep all night and had fallen asleep, which was something that often happened. She told me about new books and I told her I’d be back by. I was going to go last Thursday, but heard late the night before that she was gone. I hoped it had been easy since I had just talked to her, but found that she had multiple organ failure and great pain and fought it all the way. Of course she did.
Grieving for someone who lived 95 incredible years is a little selfish. I am really sad because I will miss her so much. It’s not that I saw her all the time, but that I knew she was there. She made a huge impact on my life with her strong personality, her great affection for me and my family, and the wise and witty conversations we shared for all those years. For all who appreciated her work or were lucky enough to share a little of her world, there is a gap to be filled by viewing her lifetime of work or just remembering her for who she was. When those who knew her gather, there will be new stories to share. Nobody knew all of them.
She was one of those people who only needed one name to tell you everything about her.
Nylajo